DISCOGRAPHY

Single puzzle piece vol. 01

CD (+ 7-inch Vynil Record)

It is already available for downloads and sales the new album by the Brazilian artist Roney Giah.

After achieving Top 30 air play results at the USA college radios and winning 2 Honorable Mentions in a row (from Billboard World Song Contest Award and The John Lennon Songwriting contest), Roney Giah release his 8th studio album, the first volume of his 7 inch 45 rpm vinyl + CD Box project entitled “Single Puzzle Piece”.

With electronic programming dialoguing with Hammond, Roney Giah’s vocals and jazzy guitars, Single Puzzle Piece vol. 01 is a natural continuation from the indie Brazilian pop style that Giah’s been pursuing in his last albums.

 

Talentless lover
Talentless lover
Talking about you
Talking about you

Pop em pedaço vol. 01 (Pop piece by piece vol. 01)

CD (+ 7-inch Vynil Record)

In new work, songwriter, singer and guitarist Roney Giah revisits the 7-inch vinyl format (single compact, Single Play), a hit of the recording industry in the 1950s and 1960s. Pop in Piece, which is being released on the national market, is a series with six editions, each containing a 7 inch vinyl and a CD with two tracks / singles in each media. The new musical foray shows the more pop side of Giah, who seeks a dialogue between the contemporary and the traditional. Electronic programming talks to acoustic instruments and gives the work a musical architecture already established by Quincy Jones & Michael Jackson, Liminha & Gilberto Gil.

In the first volume, the highlight is the compositions But Until There and We Are Safe Under My Blanket – released in acoustic format on the CD Burning the Moleira in 2010, and that get a new arrangement in the first edition of the Pop series in piece. The new format seeks to dialogue with the dynamism of the current market. “The speed with which people consume music is not the same as in the 1980s and 1990s; The idea of ​​the compact format allows the artist to indulge this speed and at the same time feel up to date with his work, ”says Roney Giah.

Estamos seguros embaixo do meu cobertor
Estamos seguros embaixo do meu cobertor
Mas ate la
Mas ate la
Eu sei (cho no ie)
Eu sei (cho no ie)
O vermelho da sua boca
O vermelho da sua boca

CD Co’as goela e tudo (Nothing but the throats)

Launched in 2011, the fifth Roney Giah CD is the result of the partnership between Giah and Perseptom Vocal Band.
The musical meeting of Roney Giah with the seven members of the Perseptom Vocal Band not only got them an Award, as well as resulted in a unique “a capella” album.
Co’as goela e tudo (Nothing but the throats) unites the technique of beat box (vocal percussion) with impeccable vocal timbres, obtaining the audio sensation of an entire band.

Musicians from different perspectives and artistic schools, Roney Giah and Perseptom – one of the most respected vocal bands from Brazil and indicated to the Contemporary A Cappella Recording Awards 2007 (CARAS) – have joined talents and have gained recognition from critics and audiences. In 2008, they celebrated this musical encounter in a crowded concert at the Arthur Rubinstein Theatre,in São Paulo.
In 2009, Perseptom Vocal Band won the Brazilian Music Festival FEMUPO with Giah’s composition “Impossible”, song you can appreciate in this new release.

Você me kiss (vinheta)
Você me kiss (vinheta)
Fa Fa Fa (O velho. o menino e o vento)
Fa Fa Fa (O velho. o menino e o vento)
Who knows Maybe youll fall in love
Who knows Maybe youll fall in love
Aguas do Nilo
Aguas do Nilo
Impossivel
Impossivel
Mais que é pouco (Abro o bico)
Mais que é pouco (Abro o bico)
Didi sem Dede (Nunca e tarde demais)
Didi sem Dede (Nunca e tarde demais)
Sou compositor e nada mais
Sou compositor e nada mais
Vou doar meu coracao
Vou doar meu coracao
Eu nao sei como explicar
Eu nao sei como explicar
Manual do que voce nao precisa
Manual do que voce nao precisa
Fly
Fly
Po Po Po (Que voce vai conseguir)
Po Po Po (Que voce vai conseguir)

CD Queimando a Moleira (Burning Mind)

Launched in 2010, the fourth CD of the composer, singer and guitarist Roney Giah, Queimando a Moleira (Burning mind), is an 18-track-chamber-pop-inspired album. The work has the participation of Mario Manga (cello), Alexandre Ribeiro (clarinet and bass clarinet), Maurício Biazzi (double bass), Toninho Ferragutti (accordion), Nado Silva and Piu (Rhodes piano), Dandara Modesto (backing vocals) and Roney Giah (vocals, 7 strings acoustic guitar, piano and beat box).
Even before the release of Queimando a Moleira (Burning mind), the composition “Time is so still “- which integrates the new CD – won two Honorable Mentions: Billboard World Song Contest and Mike Pinder’s Songwars.

Estamos seguros embaixo do meu cobertor
Estamos seguros embaixo do meu cobertor
The Vampire's Song (Doncha know)
The Vampire's Song (Doncha know)
Tire as coisas de lugar
Tire as coisas de lugar
Isto
Isto
ícaro
ícaro
Solta pum e fala sério (me ensina a ser criança)
Solta pum e fala sério (me ensina a ser criança)
Teu reggae
Teu reggae
Time is so still
Time is so still
Few people laughing
Few people laughing
Mas até lá
Mas até lá
Sou a seta
Sou a seta
Vou doar meu coração
Vou doar meu coração
Meça
Meça
Um fundo verde
Um fundo verde
Plástico
Plástico
Tem
Tem
Betânia
Betânia
The vampire's Song (Doncha know?)
The vampire's Song (Doncha know?)

CD (Compilation) Yesterday’s Tomorrow

In 2008, composer, singer and guitarist signed a contract with the British label ASTRANOVA Records to release a CD compilation entitled Yesterday’s tomorrow.
Yesterday’s tomorrow, available only on iTunes, has seven tracks from Seed CD (1998), six tracks from Extra days on Earth CD (2006), plus a bonus track exclusively produced for the compilation. The label interest occurred after Roney Giah’s songs “Amar Com E” and “A chuva” – from Extra days on Earth CD – won the “Track of the Day” title by Garage Band’s users. Garage Band was an American music portal who had Sir George Martin, former producer of The Beatles, as one of its curators.

Fa Fa Fa
Fa Fa Fa
Quero ser o mar
Quero ser o mar

CD Mais dias na Terra (Extra days on Earth)

In 2005, singer, guitarist, producer and composer Roney Giah presented a new work, which broadened the range of the first instrumental album, Seed. Started in 1999 and completed in 2005, Mais dias na Terra (Extra days on Earth) CD was the result of Roney’s need to come up with something unique, new. This album has the participation of Maurício Biazzi on bass; André Novais on drums and percussion; Cris Bananal on percussion; Piu and Flávio Marchesin on keyboards; Daniela Ferraz, Vanessa Jackson, Alex Marrom and Mariet on backing vocals; Doriel Oliveira, Fulvio Lucietto and Soró on the horn section.

Mais dias na Terra (Extra days on Earth) is characterized by the fusion of rhythms and instruments that are not usually played simultaneously. Overdrive guitars with acoustic nylon guitars, vocal percussion with horn section, gospel choir with “zabumba” and other mergers give the CD an aura of miscegenation, a Brazilian aura.

The lyrics speak of problems, controversies and Brazilian and world events that remain in our memory sometimes in a light way, sometimes in an energetic and impulsive way. The compositions, lyrics, arrangements and production are borne by Roney Giah itself (as in CD Seed), who is graduated in music by the MI (Musicians Institute) in Los Angeles and also in sound engineering by IAV, in São Paulo.

With CD Mais dias na Terra (Extra days on Earth), Giah received an Honorable Mention from the John Lennon Songwriting Contest, Award curated by Yoko Ono and was pre-selected for Latin Grammy 2006 and TIM AWARD 2006.

Vinheta
Vinheta
Arara
Arara
Avisa
Avisa
Voce me kiss
Voce me kiss
Todos nos
Todos nos
Laranja
Laranja
Lembra?
Lembra?
As flores de Oswald
As flores de Oswald
Amar com E
Amar com E
Pousar
Pousar
A chuva
A chuva
Um zeppelin
Um zeppelin

CD Semente (Seed)

Launched in 1997, Roney’s Semente (Seed) CD has 10 tracks, from which 9 are instrumental.
At the age of 21 when the CD was launched, and still using the name Roney Giacometti, Semente (Seed) was his first work, which Roney signs the production, arrangements, and composition. The CD was recorded live in only two days, at Bebop studio in São Paulo, one of the largest in Latin America.
He counted on the participation of Maurício Biazzi (bass), Lael Medina (drums), Rodrigo Ursaia (sax), and Otávio Noronha (keyboard).
With delicate harmony, smooth rhythms, and great improvisation, this CD did not have high commercial intent when it was launched.
Called by some as Contemporary Jazz, or still, Modern Instrumental Music, Roney does not like to qualify his sound within any music genre. Influenced by Pat Metheny, Milton Nascimento and Toninho Horta, this CD is simply the seed of a career.

Evening blues
Evening blues
Semente
Semente
Argila
Argila
A volta
A volta
I've got something
I've got something
Tao simples
Tao simples
O voo
O voo
Por um momento
Por um momento
Gotcha
Gotcha
Baleia
Baleia